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A study of Scott's four great novels of British India - The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, A Division of the Spoils - and of the popular coda, Staying On.
CONTENTS:
Part 1. Life and Works: An Overview
Part 2. Facts, Fictions, and Verisimilitude: Representing the British Raj
Part 3. ‘Coming to the end of themselves as they were’: Witnessing Imperial Decay
Part 4. ‘There’s nothing I can do’: Embodying Personal Nullity
Part 5: Class and Silence
Part 6. Dreams, Nightmares, & Realpolitik: Representing India (and Pakistan)
Appendix 1: Granada TV’s adaptations of Scott
Appendix 2: Critics’ Corner and Further Reading
Bibliography
John Lennard's books include ‘But I Digress: The Exploitation of Parentheses in English Printed Verse’ (1991), ‘The Poetry Handbook’ (1996; 2005), with Mary Luckhurst ‘The Drama Handbook’ (2002), and the Literature Insights ‘Hamlet’ (2007). He is the general editor of the Humanities-Ebooks Genre Fiction Sightlines and Genre Fiction Monographs series, and has written several Sightlines titles, as well as two critical collections, 'Of Modern Dragons and other essays on Genre Fiction' (2007) and 'Of Sex and Faerie; further essays in Genre Fiction’ (2010), both of which are available in Kindle editions as well as in paperback direct from Troubador.co.uk. He is General Editor of HEB’s Genre Fiction Sightlines and Monographs series, for which he has written on Reginald Hill, Walter Mosley, Octavia E. Butler, Ian McDonald, and Tamora Pierce.
- Sales Rank: #727777 in eBooks
- Published on: 2012-11-16
- Released on: 2012-11-16
- Format: Kindle eBook
Most helpful customer reviews
5 of 5 people found the following review helpful.
A feeling for the Raj
By Amazon Customer
Paul Scott was of course not the first non-Indian novelist to write about India. Some of the best names in this list includes such luminaries Rudyard Kipling, John Masters, E.M. Forster and of course Salman Rushdie. But what differentiates the oeuvre of other writers from that of Scott is the fact that they appeared to view their subject from the perspective of an outsider looking in. It was essentially reportage from a distance. On the other hand, The India Scott evokes in these books is so vivid that you feel as if you are actually one of the protagonists in these inter-connected stories, thrust willingly or otherwise into the maelstrom of smells and stinks and the clichéd heat and dust that was India during the twilight days of the British Raj - and something that hasn't changed much either since then. (This authenticity is appreciated a lot more when the reader happens to possess also some social or ethnic connections to India. John Lennard perhaps alludes to this in this book when he refers to the "observant wisdom Indian readers find in [Scott]".) This warmth and understanding that is so evident in Scott's writing is also astonishing when one realises that any personal experience that Scott could have tapped into is based on the meager time he spent in the sub-continent and Malaysia between 1943 and 1946 and the few weeks' research trip back in India in 1964.
In a similar vein, I was pleasantly surprised at the knowledge, warmth and sensibility for the subject that John Lennard exhibits in this book. He displays an extensive knowledge of not only the British Raj but also the social and political milieux of the sub-continent around the middle decades of the twentieth century. This is of course attested by the rather long bibliography included in the book. Nevertheless, some of Lennard's descriptions of India and the terms he employs - for example using the word sannyasi rather than the more common sadhu, saint or mendicant - and also the author's apparent familiarity with works like R.K. Narayan's 1955 book "Waiting for the Mahatma" is clearly an illustration of his diligence in gaining a more esoteric understanding of the landscape of the Raj. The book is made more enjoyable when such erudition is accompanied by Lennard's delectable prose.
One little issue I had with this book is Lennard's attempt to find parallels between the psyches of Ronald Merrick - one of the central characters in the Raj Quartet - and Paul Scott himself. It is no doubt commonplace for authors to endow some of their own personal traits on to some of their characters. By the same token, one of the pleasures of reading is for us to be able to relate closely with some of the players in the drama. Nonetheless, I got the feeling Lennard was attempting - rather unconvincingly - to over-analyse the similarities between Merrick and his creator. Because of this, I gave only four stars for this book, albeit with great reluctance.
3 of 3 people found the following review helpful.
Really useful guide for a non-academic reader
By Loud and opinionated
This is a really great guide to and discussion of Paul Scott's Raj quintet. My understanding is that the author intends it to be used as a college-level reading guide. I consider myself a very thoughtful reader but I'm not enough of a heavyweight to start digging through the more erudite papers out there to see what resonates (nor am I going to shell out $50/article via the academic databases). So this little packet of historical background and critical analysis was exactly what I needed. My only complaint is with the "Merrick as antagonist" section, which is definitely very interesting, but seems to me to have elbowed out a potentially even more interesting discussion of the "Philoctetes" theme.
3 of 3 people found the following review helpful.
Decoding the Fading Raj as Protrayed by Paul Scott in his Quartet Plus One
By James K. Bashkin
I read the Raj Quartet and Staying On essentially straight through, transfixed once I developed a feel for the first volume and the technique used by Paul Scott. I found that technique a bit frustrating at first, perhaps tantalizing, but soon none of that mattered because the writing was so wonderful that I just let myself be carried along by the words. There was a bit of detail that I couldn't quite follow because the vocabulary of the dying Raj was obscure to me at times, as were the occasional terms from Hindi, etc. This volume has helped me understand subtleties that I didn't catch and I feel ready to re-read all five volumes with a sharper eye and ear for the storyline and characters.
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